Object Details
- Artist
- Ross Dickinson, born Santa Ana, CA 1903-died La Jolla, CA 1978
- Gallery Label
- Dickinson was a young artist employed by the Public Works of Art Project when he created this magical image of California's farm country. Water, green grass and swelling earth conjure the promised land that John Steinbeck would describe in The Grapes of Wrath a few years later. But Dickinson introduced disquieting details, as if to suggest that danger exists even in paradise. The tiny fire in the field at lower right, probably set to burn dry brush, echoes a massive column of smoke across the hills in the distance. The hills themselves have the orange-red look of the rainless months, when California’s mountains become tinderboxes, and fires can sweep down into the valleys. Dickinson’s painting captures the fear underlying America's hopes for better days during the Depression.Exhibition Label, Smithsonian American Art Museum, 2006
- Ross Dickinson established himself as an artist and teacher in Santa Barbara, where he depicted the varying California landscape and people at work through numerous mural commissions. Dickinson created this image of California's fertile Central Valley for the Public Works of Art Project, a government pilot program that employed artists during the Great Depression. A small river flows alongside green fields at the base of arid hills. The scene conjures a promised land sought by families who fled to California to escape the Dust Bowl, an ecological and economic tragedy of extreme drought and severe dust storms that swept the Great Plains in the 1930s. The large plume of black smoke on the far side of the mountains (echoed in a small controlled fire at the lower right) is a cautionary warning. During rainless months, California's mountains could become tinderboxes as fires swept through the valleys, compromising visions of the state as a promised land.
- Exhibition Label
- Stark hills seem to threaten the lush farms at their feet in this vivid painting of a Southern California valley. Californian artist Ross Dickinson dramatized his home state’s eternal confrontation of nature and man by exaggerating the steep slopes of the hills and the harsh contrast between the dry red wilderness and the green cultivated land. The artist stressed the centrality of water in California. A river, reflecting the pale sky, is a milky curve against the verdant valley. The irrigated farms are luxuriant, while the hills during the summer dry season are an arid brown. Dickinson reminded the viewer of the constant threat of fire by showing a farmer burning brush or trash in the foreground, with the red flame sending up a thin column of smoke. In the background, a larger plume of smoke suggests a chaparral fire going out of control, a potential threat to the little white houses in the valley. The danger parallels other stresses that faced the region during the Great Depression, as the homeless and hopeless from the drought-plagued Dust Bowl poured westward in search of agricultural work. The destitute hordes demanded far more jobs than California could offer.1934: A New Deal for Artists exhibition label
- Credit Line
- Smithsonian American Art Museum, Transfer from the U.S. Department of Labor
- 1934
- Object number
- 1964.1.40
- Restrictions & Rights
- Usage conditions apply
- Type
- Painting
- Medium
- oil on canvas
- Dimensions
- 39 7/8 x 50 1/8 in. (101.4 x 127.3 cm.)
- See more items in
- Smithsonian American Art Museum Collection
- Department
- Painting and Sculpture
- On View
- Smithsonian American Art Museum, 1st Floor, South Wing
- Smithsonian American Art Museum
- Topic
- Landscape\mountain
- Landscape\farm
- Landscape\valley
- New Deal\Public Works of Art Project\California
- Architecture Exterior\domestic\farmhouse
- Record ID
- saam_1964.1.40
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/vk75bc18638-1cc7-4961-a2bf-866f990ba581
