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Marlon Brando

National Portrait Gallery

Object Details

Artist
Robert M. Peak, 30 May 1927 - 1 Aug 1992
Sitter
Marlon Brando, 3 Apr 1924 - 1 Jul 2004
Exhibition Label
Marlon Brando had long been a popular box office attraction, but he was also one of the industry’s most challenging personalities: difficult with directors and often lax in memorizing his lines or following the script. When Time reported in depth in January 1973 on his most recent performance, scores of readers wrote to voice their revulsion to a film that included “frontal nudity, four-letter words, masturbation, even sodomy.” One reader suggested that all Time needed to say was that “Marlon Brando is making a real dirty movie with Maria Schneider, and it is called Last Tango in Paris.” Two months later, Brando would win a Best Actor Oscar for the critically acclaimed film, The Godfather (1972). But he refused to accept the award in protest of Hollywood’s stereotypical portrayal of Native Americans.
Marlon Brando era desde hacía tiempo una popular atracción de taquilla, pero tenía una de las personalidades más problemáticas de la industria. Era difícil con los directores y a menudo no se memorizaba bien sus parlamentos ni seguía el guion. Cuando en enero de 1973 Time hizo un reportaje de fondo sobre su actuación más reciente, muchos lectores escribieron a la revista para expresar su repulsión ante un filme que incluía “desnudez frontal, malas palabras, masturbación e incluso sodomía”. Un lector sugirió que lo único que Time debía haber dicho era: “Marlon Brando está haciendo una película muy sucia con Maria Schneider, y se titula Last Tango in Paris”. Dos meses después, Brando ganaría el Oscar al mejor actor por el aclamado filme The Godfather (1972), pero se negó a aceptarlo para protestar contra la imagen estereotipada que presentaba Hollywood de los indígenas americanos.
Collection Description
In 1978, Time magazine donated approximately eight hundred works of original cover art to the National Portrait Gallery. The museum is dedicated to telling the stories of individuals who have shaped the United States, and the Time Collection—featuring prominent international figures and events—enriches our understanding of the United States in a global context.
En 1978, la revista Time donó a la National Portrait Gallery cerca de 800 obras de arte originales creadas para sus portadas. Nuestro museo se dedica a narrar la historia de figuras que han contribuido a forjar el desarrollo de Estados Unidos, y es así que la Colección Time, que incluye retratos de importantes personalidades internacionales, nos ayuda a comprender mejor a nuestra nación en un contexto global.
Credit Line
National Portrait Gallery, Smithsonian Institution; gift of Time magazine. Conserved with funds from The Pritzker Traubert Family Foundation
1973
Object number
NPG.78.TC248
Restrictions & Rights
Usage conditions apply
Copyright
© Robert Peak
Type
Drawing
Medium
Pastel and opaque watercolor on cut paper adhered to printed paper
Dimensions
Accurate: 61 x 48.2cm (24 x 19")
See more items in
National Portrait Gallery Collection
Location
Currently not on view
National Portrait Gallery
Topic
Costume\Dress Accessory\Neckwear\Tie\Necktie
Marlon Brando: Male
Marlon Brando: Arts and Culture\Performing Arts\Theater\Stage actor
Marlon Brando: Social Welfare and Reform\Reformer\Activist
Marlon Brando: Arts and Culture\Performing Arts\Film\Movie actor
Marlon Brando: Performing arts awards\Academy Award
Portrait
Record ID
npg_NPG.78.TC248
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/sm4793c4fa7-e591-4ca2-924f-e99e6498514d

Related Content

  • 1973: A Year in the Collections

  • The Movies

  • The Movies

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IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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