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Horse and Uncle Sam Driver

Smithsonian American Art Museum and its Renwick Gallery

Object Details

Artist
Unidentified (American)
Luce Center Label
The first known weather vane sat on top of the Tower of the Winds in Athens during the first century BC. The rooster weather vane, or weathercock, appeared a thousand years later when a papal edict announced that every church must carry the symbol of a rooster. This was to remind the faithful of Peter's betrayal of Jesus, who said that the cock would not crow until Peter had denied him three times. In the nineteenth century, people made weather vanes showing everyday activities. Horses represented transportation, sport, and social status, and many craftsmen made weather vanes of record-winning racehorses. (Charles Klamkin, Weather Vanes, 1973)
Luce Object Quote
"Wind from the east---bad for man and beast;
Wind from the south is too hot for them both;
Wind from the north is of very little worth;
Wind from the west is the softest and the best."
The Old Farmer's Almanac, 1851, quoted in Charles Klamkin, Weather Vanes, 1973
Credit Line
Smithsonian American Art Museum, Museum purchase
1850-1860
Object number
1966.45
Restrictions & Rights
CC0
Type
Decorative Arts
Folk Art
Medium
copper
Dimensions
length: 25 1/4 in. (64.0 cm)
See more items in
Smithsonian American Art Museum Collection
Department
Decorative Arts
Smithsonian American Art Museum
Topic
Architecture\vehicle\cart
Animal\horse
Dress\accessory\hat
Figure male\full length
Record ID
saam_1966.45
Metadata Usage (text)
CC0
GUID (Link to Original Record)
http://n2t.net/ark:/65665/vk7a461d3ae-f164-456c-ba67-2a7613114c7a

Related Content

  • Horses in Art, Science, History, and Culture

  • Uncle Sam: The Man and the Meme

This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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