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Betye Saar

National Portrait Gallery

Object Details

Artist
Michele Mattei, born 15 Feb 1952
Sitter
Betye Saar, born 30 Jul 1926
Exhibition Label
Born Los Angeles, California
Found objects are key components of the evocative assemblages created by artist Betye Saar. Working first as a printmaker, Saar shifted to three-dimensional artmaking in the mid-1960s. At that time, she repurposed old windows to frame images and objects—such as tarot cards—that spoke to her interest in mysticism and spiritual practices. In response to the assassination of Martin Luther King Jr. and the growing Black Power and feminist movements, her art became increasingly political by the close of the decade. Turning to boxes as the underlying structure for her assemblages, Saar made one her most compelling and acclaimed works—The Liberation of Aunt Jemima (1972)—by appropriating a crude, racist “Mammy” figure and transforming her into an armed Black revolutionary.
Responding to her portrait by Michele Mattei, Saar observed, “It has a pensive quality that I like, and it also reflects my love of nature and of symbols.”
Nacida en Los Ángeles, California
Los objetos encontrados son esenciales en los evocadores ensamblajes de Betye Saar, quien se inició en las artes gráficas pero optó por el arte tridimensional en la década de 1960. En esa época empezó a reutilizar ventanas viejas para enmarcar imágenes y objetos (tales como barajas del tarot) que reflejaban su interés en el misticismo y las prácticas espirituales. En reacción al asesinato de Martin Luther King Jr. y los crecientes movimientos de Black Power y el feminismo, su arte se hizo mucho más político para fines de la década. Luego empezó a usar cajas como estructura subyacente de sus ensamblajes, y creó una de sus obras más impactantes y aclamadas, La liberación de Aunt Jemima (1972), apropiándose la imagen cruda y racista de una sirvienta negra para transformarla en una revolucionaria armada.
De su retrato realizado por Michele Mattei, Saar observó que tiene “un aire pensativo que me gusta, y también refleja mi amor por la naturaleza y los símbolos”.
Credit Line
National Portrait Gallery, Smithsonian Institution
2012 (printed 2018)
Object number
NPG.2018.37.2
Restrictions & Rights
Usage conditions apply
Copyright
© 2003 Michele Mattei
Type
Photograph
Medium
Inkjet print
Dimensions
Image: 76.3 × 48.8 cm (30 1/16 × 19 3/16")
Sheet: 86.5 × 61 cm (34 1/16 × 24")
See more items in
National Portrait Gallery Collection
Exhibition
Recent Acquisitions 2023
On View
NPG, North Gallery 140
National Portrait Gallery
Topic
Costume\Jewelry
Costume\Jewelry\Necklace
Interior
Costume\Jewelry\Ring
Nature & Environment\Plant\Tree
Costume\Jewelry\Bracelet
Betye Saar: Arts and Culture\Visual Arts\Artist
Betye Saar: Female
Betye Saar: Arts and Culture\Education and Scholarship\Educator
Portrait
Record ID
npg_NPG.2018.37.2
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/sm4d49d4952-678b-41f6-961e-c620f400d663
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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