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Sister Gertrude Morgan, Fan, ca. 1970, paint and ink on card, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.43R-V.
Sister Rosetta Tharpe performs at the 1967 Newport Folk Festival. Photo by Diana Jo Davies. Ralph Rinzler Folklife Archives and Collections.
Sister Rosetta Tharpe, the “Godmother of Rock ‘n’ Roll,” rose to prominence in the 1930s as a pioneer of mixing “secular sounds,” such as electric guitar, with sacred lyrics.
Septima Poinsette Clark by Brian Lanker, gelatin silver print, 1987. National Portrait Gallery, Smithsonian Institution; Partial gift of Lynda Lanker, and museum purchase with the support of Robert E. Meyerhoff and Rheda Becker, Agnes Gund, Kate Kelly and George Schweitzer, Lyndon J. Barrois and Janine Sherman Barrois, and Mark and Cindy Aron. Copyright Brian Lanker Archive.
Diver Nestor Ortiz of CONICET beside an experiment in Puerto Madryn, Argentina. Ortiz is adjacent to a panel open to predators. Panels contained within cages to exclude predators hang suspended in the background.
"Great American Diamonds" displays several of the largest and finest diamonds ever discovered in the United States, including the Freedom Diamond (second from left) and the Uncle Sam Diamond (third from left). Image courtesy of the Smithsonian Institution.
George Brinton McClellan and Mary Ellen Marcy McClellan, Mathew Brady Studio, modern albumen silver print from c. 1864 wet
collodion negative. National Portrait Gallery, Smithsonian Institution.
(Left) Wall of Respect, Chicago, Illinois, 1967, Photograph by Roy Lewis. Gift of Roy Lewis Archives 1967, Copyright Roy Lewis (Right) Tupac memorial mural on Houston Street in New York City, 1997. From the Eyejammie Hip Hop Photography Collection. Photograph by Al Pereira. Copyright Al Pereira
Highlighting Masterworks Alongside Recent Acquisitions by Artists Including Dana Awartani, Loie Hollowell, Sondra Perry, Deborah Roberts and Kiyan Williams, “Put It This Way: (Re)Visions of the Hirshhorn Collection” Opens July 22
“Anthony Cuts under the Williamsburg Bridge, Morning” by Alison Elizabeth Taylor, first prize winner of the 2022 Outwin Boochever Portrait Competition, marquetry hybrid (wood veneers, oil paint, acrylic paint, inkjet prints, shellac, and sawdust on wood), 2020. Collection of the artist. Copyright Alison Elizabeth Taylor. Courtesy of Smithsonian’s National Portrait Gallery.